The Cunning Folk Guide to Self-Isolation

What to read, what to watch, and advice on how to cope in these strange times.

Source: Unsplash

Source: Unsplash

Embrace the hermit archetype

‘Only by withdrawing from the outer world can we awaken the inner self.’ Rachel Pollack⠀

Writes Gabriella Tavini: ’This card is about withdrawing from the world. Because contemporary culture rewards action, materialism and performative ways of living, we usually perceive the word “hermit” as negative. But what can the hermit archetype and these resilient artists teach us? Well, a few things: empathy for those whose pains are greater than our own; acceptance, the realisation that some circumstances are out of our control, that we must make peace with the cards we’re dealt and use the tools at hand; discernment, the realisation that your worldview is unique to everyone else’s; and last but not least, bravery, to have the courage and the passion to sculpt your own vision of what it truly means to live well, no matter the sacrifice. By embodying the hermit archetype, we might better understand what it’s like to live with restrictive chronic illnesses, disabilities or mental health issues; and if we're lucky, we might even dip our toe into the magical, creative space where artists and writers thrive.'


Support Independent Businesses

It’s in times like this we realise the importance of small businesses in our community. Support small independent businesses. A few London recommendations: consider buying books from Libreria and Treadwell’s rather than Amazon; rather than stockpiling from chain supermarkets, go to your local grocery. Waste-free shop Get Loose in Hackney City Farm is still open for business. Great vegan food can be delivered directly to your home from Palm Greens and What the Pitta. This is the time to support your indies. 

Learn something new

With a full calendar and daily commute, we don’t always have the time for this. For many who are now working from home, those hours spent commuting to and from work are now free time. Many independent bookshops are still able to deliver. Language centres like the Cervantes Institute have adapted by offering online courses. Masterclass is a good place to learn from experts in their fields, among which are Margaret Atwood, Neil Gaiman, Danny Elfman and Werner Herzog. The internet is also full of free resources for gaining new knowledge. We recommend Magic in the Middle Ages from the University of Barcelona on Coursera.

Attend events virtually


More and more events are now moving online. The Royal Opera House will be live streaming opera and ballet for free during the coronavirus outbreak. The National Theatre be opening up its archives every Thursday night. Treadwell’s had to cancel its events series, but some events, including Rebecca Beattie’s popular urban witchcraft workshops, are going online. You can also get an online tarot reading at Treadwell’s. And consider joining our own online book club, starting on Monday 30th March. 

Read

When you can’t travel physically, reading can still take you beyond the confines of your home. 

As children we often read adventure novels. We could already imagine new worlds before going there physically in later life. Books can still do that for us. Marguerite Duras’ L’Amant perfectly evokes the atmosphere of the Mekong Delta in colonial Saigon, recollecting a lost love there. Lorca’s poetry conjures up a romantic vision of Andalusia. In Haruki Murakami’s novels you can walk the streets of Tokyo by night and witness Japan’s changing seasons. 

Reading is also a place for learning and self-development. If you’re new to occult reading, here is a broad introduction. If you’re feeling a little disconnected from nature, here are some reading recommendations for re-connecting.

If you just want some bloody good reads to get you through the lockdown, here are some of our top reads this year (so far):

Elizabeth: Carmen Maria Machado’s In the Dream House, a bold memoir recollecting psychological abuse; Tender is the Flesh by Agustina Bazterrica, a dystopian novel which imagines a world where humans have turned to cannibalism; Rebecca by Daphne du Maurier, an oldie but a goodie, Manderlay through the narrator’s lens has an animistic quality, and Rebecca, though dead, feels very much alive; The Island Child, Molly Aitken’s gorgeous debut steeped in Irish folklore.

Yasmina: Girl, Woman, Other by Bernadine Evaristo, the recent joint Man Booker winner; The Song of Achilles by Madeline Miller (I know, very late to the party but it is simply stunning!); I am currently reading The Binding by Bridget Collins.

When you can’t go out, go in

Another way of travelling when you can’t travel physically is meditation, visualisation, or by practising lucid dreaming. Creatives know there is a rich world within the mind that can be explored. You may also want to explore ideas about astral projection, popularised in the West by 19th Century Theosophists. Many cultures have their own notion of astral projection. In the Hindu epic The Mahabharata, Drona leaves behind his physical body to see if his son is alive. Several indigenous communities in the Amazonian basin believe the soul is able to take leave of the body; comparable beliefs are held by some Inuit groups. Often this state is reached through taking hallucinogenics and/or ritual.

Rituals

One of the most important things for our mental health is routine. At present we might feel out of control, but we can create a new routine by bringing new rituals into our lives. Rituals allow us take hold of the things we can control. Writes Yasmina Floyer: ‘Rituals anchor us and helps us focus on what matters. It will take a little while to adjust to a period of confinement particularly given that it isn’t self-imposed. All the more reason why maintaining rituals and creating new ones is so important. A daily ritual that brings me light even on the darkest days is to write a list of what I am thankful for. This can be as long or short as you like and items on my list have have included food delivery, a soft cushion, friends calling to check in, a crisp blue sky in the morning.’ Creating a new routine might be as simple as scheduling in time to read or knowing when to stop working. Try scheduling in time for work and play and creating rituals to help introduce good habits and replace the ones that don’t serve us. 




Write

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We’re biased, but we think writing is one of the best ways to help navigate and make sense of this chaotic thing called life. Keep a journal, write poetry or fiction, letters or long emails. Whether you decide to publish it or keep it to yourself, writing can be therapeutic and help you understand yourself better. It’s a way of organising your thoughts and finding a pattern therein. For those who do have a fiction project underway, and would like mentoring from a published author, we have just launched the (free) Cunning Folk mentoring scheme (more information here). 

Recommended viewing

The Power of Myth. Joseph Campbell and journalist Bill Moyers discuss comparative mythology and the ongoing role of myth in modern society. Though the language is a little outdated at times, Joseph Campbell’s work inspired George Lucas’s Star Wars and continues to inspire artists and writers today.

Myths and Monsters. This Netflix documentary explores a similar territory, and features, among others, Professor Diane Purkiss, a lecturer at Oxford University who contributed to our forthcoming print magazine. 

The Chilling Adventures of Sabrina. Based on Roberto Aguirre-Sacasa’s comic, this series is engaging and draws from the history of the Western occult, folklore, mythology and witchy literature. 

The OA. The third season was axed by Netflix, which is a shame. The OA delves into metaphysical, often esoteric subject matter. It’s original and at times a bit trippy. 

The Good Place. A compulsive sitcom that starts silly and gradually moves into more profound territory, taking us on a humorous journey through Western Philosophy, while remaining accessible. It ends with the questions Western Philosophy can’t answer, and Eastern Philosophy perhaps can. 

The Dark Crystal. Remember Jim Henson and Brian Froud’s puppetry masterpiece? The universe has expanded, and it’s as magical and mystical and beautiful as the original. The message is relevant as we live through the climate crisis.

Portrait of a Lady on Fire In the late 18th century, a painter is commissioned to discretely paint another woman’s wedding portrait. This is a feminist tale of lesbian desire and the female gaze. There is a moment of pure witchy poetry when wise women, friends and neighbours gather around a fire singing Fugere Non Possum. Available on Mubi, a live-streaming service for high quality films.

Exercise

We can go on walks, but gyms, swimming pools and yoga studios are closed. Thankfully many yoga teachers and personal trainers are taking to Zoom and it’s almost as good as going to the studio. Elizabeth recommends her yoga teacher @ashleyahrens.yoga who teaches vinyasa, ashtanga, haha and yin and has a regular schedule. Yasmina recommends her teacher @ruth_kamala_yoga who also teaches pilates.  

Immune-boosting herbs and remedies

Photo by Maggie Eliana

Photo by Maggie Eliana

Maggie Eliana’s immune-boosting gummies for cold and flu seem a pretty sensible thing to make now to improve immune function. To make them vegan, swap the honey for vegan honea.

We don’t know if it helps, but we’ve been heeding advice from medical experts in India and drinking golden milk. It’s delicious. We make ours with fresh turmeric, fresh ginger, saffron, cardamom, black pepper and coconut milk. 

Mountain Tea, sold at Broadway Market’s deli The Isle of Olives, has been consumed in Greece since ancient times and is believed to be beneficial for colds, sore throats and upper respiratory tract infections.

Pick your own food

We wait in long queues for supermarkets. Stare at empty aisles. It’s in times like this we realise how dependent we are on others for food. The British countryside has a wealth of plants you can eat, from elderflower and elderberries to a variety of mushrooms. Some things never seemed edible, but were common ingredients in the past, and are still eaten in other parts of the globe. The acorn, for example, is a staple in traditional Korean cooking; try making Dotorimuk. Foraging is doable even in the city. Herbs abound in London parks. Common herbs that look like weeds include borage, mugwort and yarrow. These plants have folkloric associations and medicinal usages. Yarrow is associated with wound healing. Borage is a common ingredient in Italian cuisine, mugwort in Korean cuisine. Identifying plants isn’t always easy. Seek app by iNaturalist is a good place to start. We don’t recommend using it for picking mushrooms as some varieties look very similar and are poisonous. You can also use it to identify insects and animals.

Commit to lasting change

Panic buying has seen empty shopping market aisles. Some of the items stockpiled include: toilet paper, nappies and sanitary towels. Besides self-rationing as an act of solidarity (there’s enough to go around so long as we share), this might also be an opportunity to think about more sustainable, longer lasting alternatives to disposable hygiene products. People have been raving about Moon Cup as an alternative to tampons for years; Bloom and Nora offer reusable sanitary towels made of recycled materials while TotsBots make reusable nappies. Now is also a good time to eat locally and support local producers. Vegetable box schemes are a good alternative to relying on supermarket chains. 

Be the Hanged One

Another tarot card and archetype who comes up when going through a period of great change and uncertainty is the hanged man, or the hanged one. At first glance, this looks like a card you’d rather avoid. One interpretation of this is that of self-sacrifice. We are all making sacrifices right now—self-isolating in order to protect others more vulnerable than ourselves. In putting ourselves second to others, together we can grow. But Arthur E. Waite, who conceived the Rider-Waite-Smith deck (illustrated by Pamela Coleman Smith) said this is not so much about duty, but the most mystical of all the cards. In his book The Pictorial Key to the Tarot, he writes: ‘It should be noted (1) that the tree of sacrifice is living wood, with leaves thereon; (2) that the face expresses deep entrancement, not suffering; (3) that the figure, as a whole, suggests life in suspension, but life and not death … It has been called falsely a card of martyrdom, a card of prudence, a card of the Great Work, a card of duty … I will say very simply on my own part that it expresses the relation, in one of its aspects, between the Divine and the Universe.’ The Hanged One isn’t dead. Their world turned upside-down, they are able to see the world anew. 

Two Fierce Females: Jezebel And Baba Yaga

Extracts from Warriors Witches Women: Mythology’s Fiercest Females; words by Kate Hodges, illustrations by Harriet Lee Merrion, published by White Lion Publishing, RRP £18.99. Warriors Witches Women is available in hardback at all good bookshops, and online - http://bit.ly/2TkKSA0 

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JEZEBEL 

HEBREW/CHRISTIAN: QUEEN

Also known as Jezabel

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Jezebel’s name has become a cipher for wanton, wicked women, but the evidence is that she was a lot more complex, powerful and strong-willed than her cartoonish reduction. This ninth-century and Hebrew Bible (Old Testament) queen was at the epicentre of the war between followers of the old gods and those of Yahweh (God). However, despite a malicious campaign waged against Jezebel, her profound influence and incredible character couldn’t be concealed.

As the privileged daughter of priest and king, Ethbaal, Jezebel was an educated, politically aware woman. She was brought up in modern-day Lebanon as a worshipper of, among other gods, Ba’al. Ba’al was later depicted by Christian scribes as the devil, represented by the horns of a bull, but at this time he was a bounteous god of rain and fertility. Jezebel married King Ahab of the northern kingdom of Israel, moving to his country along with 850 of her priests. This union would have been political, a strategic alliance of families, but there was a major hurdle to overcome: the people of Israel worshipped Yahweh, the Jewish god, an incarnation of the modern Christian God.

Ahab was reasonable, however. He not only tolerated Jezebel’s worship, but built her an altar to Ba’al. This wasn’t well received by the country’s prophets and religious bigwigs. They were inflamed further when Jezebel started killing followers of Yahweh. The prophet Elijah was furious and challenged Jezebel’s priests to a duel. They met on Mount Carmel, their task to slaughter a bull, then set it on fire, with no torch or match. The Ba’al priests started to dance and cut themselves. They prayed for hours, but the pyre remained unlit. Elijah then took to the oche. He sprinkled what looked like water on his bull, called on God and, near-instantly, the beast burst into flames. The battle was over. In shockingly cold retribution, Elijah slaughtered all of Jezebel’s men.

The queen was furious and, in a dramatic, bold move, established herself as her enemy’s equal, by saying: ‘If you are Elijah, so I am Jezebel.’ She threatened Elijah: ‘Thus and more may the gods do if by this time tomorrow I have not made you like one of them.’ Unlike many women in the Bible, Jezebel had a voice, a powerful, agile, sarcastic one at that. Elijah fled in terror at her vicious promise, hiding out at Mount Sinai.

THE ADVENTURES OF JEZEBEL

Next, Jezebel annexed a vineyard for her husband. Ahab had been sulking; a man named Naboth refused to give him his land to make into a vegetable garden. Jezebel sprang into action, writing inflammatory letters to the elders of Jezreel, Naboth’s city, that told of his blasphemy of his God and king. Furious and riled enough to become a boulder-toting mob, the townspeople stoned Naboth to death. Elijah saw this as a chance to reappear and threatened Ahab, telling him that his family would die in Jezreel, their bones eaten by dogs and picked clean by birds

A few years later, Ahab died in battle with the Syrians. Accounts vary, but the 2 Kings book of the Bible tells how, after the death of Jezebel’s son Ahaziah, his younger brother – Joram – became king. During this time, Elijah’s successor, Elisha, had continued his predecessor’s crusade. He declared his military wingman, Jehu, to be the true king of Israel, thus sparking a civil war. Jehu and Joram met on the battlefield, where Jehu heaped insults upon Jezebel, calling her a whore and a witch; he then slaughtered the king. However, he had to kill the queen, too, in order to assume the throne, a testament to Jezebel’s true power.

The drama intensified. Jezebel got word that Jehu was on the warpath, and driving his chariot to her palace. Astute enough to realise that he must slaughter her in order to achieve his ambitions, Jezebel calmly sat at her dressing table. She put on make-up, combed and styled her hair, waiting for the inevitable. This was perhaps the queen’s finest hour: she knew she was about to be killed, but she chose to face her fate with dignity, in a way worthy of her position. As she sat high in her tower, she was ultimately in control. Leaning out of her window, in a last display of defiance she insulted Jehu who, in turn, ordered Jezebel’s servant eunuchs to throw her out of the window. They complied. Her bloodied body lay on the pavement below, picked over by dogs.

As a result of Jehu’s taunting of Joram, and Jezebel’s determination to wear lipstick to the last, ‘Jezebel’ became a byword for wantonness. This insult reverberated through history; at a particularly low point in the nineteenth century, African women slaves were labelled by white society as ‘Jezebels’ or temptresses, a repellent and weak excuse for their rape by their slave owners. Her reputation soaked through to popular culture, too: ‘Jezebel’ by musician Frankie Laine tells the story of a girl ‘made to torment man’ by the devil, and the iconic Bette Davis starred in a film of the same name as a strong-willed Southern belle. Even writer Margaret Atwood’s The Handmaid’s Tale has a brothel called Jezebel’s, with prostitutes similarly named. However, latterly our Jezebel’s reputation has started to be reclaimed, most notably by online feminist magazine Jezebel, and also by writers such as Lesley Hazleton, author of a revisionist biography of the biblical queen.

Jezebel is an extraordinary character. Transposed into an alien culture at a young age, she remains outspoken, politically savvy and determined to maintain her cultural and religious identity. Despite her husband’s weaknesses, she is dedicated to him and to his position; there are clear clues that she is the true power behind the throne. Although she has since been cast as a harlot, there is no evidence for her adultery in the Bible. Many scholars claim that her reputed ‘whoredom’ refers to her worshipping multiple gods; others that priestesses were often recast, misogynistically, as prostitutes. For Christian revisionist writers, Jezebel not only represented women having power, a voice, an opinion, but she embodied the old religion. To secure the worship of the newer god, Yahweh, Jezebel not only had to be killed, but her reputation besmirched, her name dragged through the dust just as her body had been by the pack of dogs. That her determined, articulate character still shines through is testament to what an incredible, strong woman Jezebel must have been.


BABA YAGA

SLAVIC: WITCH

Also known as Baba Jaga

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The halfway point between Mother Earth and a cannabalistic crone, Baba Yaga is a mercurial character. Will she take you on a voyage of self-discovery and equip you with practical skills? Or throw you in her oven and gobble you up for tea?

You’ll hear Baba Yaga before you spot her, a wild wind’s whoosh, strong enough to make the trees creak and groan and tossing leaves into the air.

She is a fearful sight. Wisps of her long grey hair stream in the wind, her face dominated by a huge, pointy nose. Her skin is as deeply cracked as the steppe in summer, her mouth crammed with rusting iron teeth. She dresses in rags, is hunchbacked and flies around in an over-sized mortar, using a huge pestle to steer, while brushing away her trail with a reed-thin birch broom. Her home is no less attention-grabbing: behind a high wall made of bones and crenellated with fire-filled skulls lies a slope-roofed house on chicken legs that enable it to run wonkily through the woods. The hut can spin, it screeches and moans, it has eye-like windows and its lock is dense with teeth. At first glance, Baba Yaga appears to conform to the fairy-tale witch archetype. She can smell humans, has a predilection for the tender flesh of children and wields magic power. She commands three horsemen who represent ‘bright dawn, red sun and dark midnight’, and servants who are disembodied hands. However, the witch is a little more complex than she first appears. Visitors to her house may find themselves thrown onto a giant paddle and roasted in her oven, but they may also find that, in her own twisted, tortuous fashion, Baba Yaga can help them.

TALK TO THE HAND

Take the best-known tale starring Baba Yaga, ‘Vasilisa the Beautiful’, a folk story first anthologised by Russian Alexander Afanasyev in 1855. Here we find Vasilisa, losing her mother at a young age, and all she has left of her is a little magic doll who vows to protect the girl. In the way of these stories, into her life comes an evil stepmother and stepsisters who are jealous of Vasilisa’s good looks. They all live in a little hut on the edge of a forbidding forest. One day, their fire sputters out, so they send Vasilisa into the trees to bring back one of Baba Yaga’s flaming skulls. She arrives at the fowl-mounted hut where Baba Yaga hisses at her, ‘Listen girl! If I give you a light you must work to pay for it. If not, I will eat you for my supper!’

Over two days, she sets the girl a series of repetitive, boring domestic tasks, which, to the crone’s surprise – and with a little help from her magic doll – she completes. When the tasks are finished, Vasilisa asks Baba Yaga who each of the witch’s horsemen are. Baba Yaga answers gladly. Vasilisa is itching to ask about the hand-shaped servants, but has a feeling that might be a terrible idea, so stays silent. Baba Yaga informs her that her intuition was right – that had she enquired about them, Vasilisa would have ended up on the paddle being pushed into the oven.

Then Baba asks the girl a question, ‘How is it that you have been able to finish all the work I gave you so quickly?’ The girl replies, ‘My mother’s blessing helped me!’ At this, Baba Yaga flies into a spitting rage and pushes her out of the hut. However, simultaneously she thrusts one of her flaming skulls onto a stick and pushes it into Vasilisa’s hands. The girl eventually finds her way home and gives the skull to her scheming family. Her mother and sisters burst into flames and dissolve into ashes. Vasilisa is free.

This story illustrates Baba Yaga’s duality and subverts the fairy-tale archetype. Baba Yaga helps Vasilisa, but in a roundabout way. Yaga rewards Vasilisa for listening to her intuition as represented by the doll. It’s not a convenient, neat result for the girl though: she has to find her own path. Author Clarissa Pinkola Estes argues that, in doing this, Vasilisa is initiated into finding her own ‘wild feminine power’. The hut serves almost as a women’s retreat, where she finds her core through ‘inner purifications’ – or ‘grindingly dull tasks’ as they are otherwise known – and by asking questions about the horsemen, or rather puzzling over the nature of life and death.

Baba Yaga often reaches out to young women on the cusp of adulthood whom she deems worthy of her attention, steering them into the next stage of life. In the tales gathered in Sibelan Forrester’s 2013 Baba Yaga: The Wild Witch of the East in Russian Fairy Tales, she repeatedly challenges girls to step up to the duties needed for them to become wives and mothers – important lessons in a society that values those traits highly.

Baba Yaga is thought to have haunted the folk tales of Russia and beyond for centuries, but she was first referred to in print in 1855, in Mikhail V. Lomonosov’s Rossiiskaia Grammatika. One of the composer Mussorgsky’s pieces from Pictures at an Exhibition, ‘The Hut on Hen’s Legs’, references her and she has been the subject of many films, including the seminal fantasy movie Vasilissa The Beautiful (1939). She also inspired the Yubaba character in Spirited Away (2001).

Baba Yaga’s feral qualities and liminal status are also her powers. She doesn’t conform to accepted norms; her hair is unbraided and stands on end, her fingernails long, her breasts drooping and unfettered. She dresses in tatters, while her unconventional accommodation arrangements are almost like a piece of outsider art. She lives not only on the fringes of habitation, but also outside of society’s mores. Baba Yaga exists how she chooses and has no need for others in her life, bar her hand-shaped servants and horsemen. She refuses to conform, even to conventional evil witch stereotypes. A wild woman yet wise teacher, she lives life unbound, only giving an inch to those she deems worthy of her knowledge. Who could fail to admire such a gleefully wild spirit?

How To Celebrate The Spring Equinox

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You may have found, in your social media browsing, memes that suggest the Easter Rabbit has its historical precedent in Ostara, or Eostre, the Germanic goddess of dawn, the hare and fertility. Jacob Grimm searched for a possible link between Ostara and the Easter Rabbit and eggs, but all he found, beyond Bede’s passing mention in his 8th-century treatise, was conjecture. He couldn’t even find a primary source, or Norse parallels, that would suggest her existence. 

Ostara may be a modern fabrication (based on a passing mention by a Northumbrian monk in 725), but the spring equinox is an astronomical event and its celebration has historical precedent. In the Northern Hemisphere, March 20 signals the end of winter and the beginning of spring. For one day, most places will see 12 hours of night and 12 hours of darkness. In Ancient Rome, Hilaria was celebrated on March 20, a festival to honour the goddess of Cybele, associated with fertility, wild animals, mountains and city walls. The Babylonian calendar began with the first new moon after the March equinox, while today the Persian, or Iranian, and Hindu calendar begin on March 21. That the new year should start when the world is reborn seems apter than our current date in midwinter.

By March 20, the world north of the equator is in bloom again. Fresh buds push through the skeletons of trees, soon to be resurrected. The humble primroses and hellebores grow in woodlands after the yellow daffodils and before the sea of bluebells, soon to come. Blossoms appear on trees like fairy lanterns, heralding the coming summer revelry before falling away, a preview of the perpetual cycle of life and death we are to witness. We know that in the coming months we will see a return of orchard fruits and berries and edible plants, hopefully in great abundance. 

For many of us it’s a time to think about the year ahead, the summer, and the changes we want to make; it’s an opportunity to do a spot of ‘spring cleaning’, both physically and metaphorically. The first paragraph of a classic of Children’s Literature, The Wind in the Willows, describes it well: 

‘The Mole had been working very hard all the morning, spring-cleaning his little home. First with brooms, then with dusters; then on ladders and steps and chairs, with a brush and a pail of whitewash; till he had dust in his throat and eyes, and splashes of whitewash all over his black fur, and an aching back and weary arms. Spring was moving in the air above and in the earth below and around him, penetrating even his dark and lowly little house with its spirit of divine discontent and longing.’

But what is this divine content in rebirth? The world is waking up, but for some, it must be said, spring brings on an intense depression seldom spoken about. Seasonal affective disorder is associated with a lack of sunlight, and a resulting Vitamin D deficiency, but as Harvard psychiatrist John Sharp emphasises, reverse sad is also a big problem. While the whole world, it seems, ventures out into the sunlight, those of us suffering from depression can feel left behind. The increased struggle is clear in national suicide rates, which in the UK are highest in spring, peaking in April and May. 

It’s not always easy to leave behind the nests we have made for ourselves. To feel the return of feelings we thought we’d left behind in previous seasons. To remember the need to go out and gather and socialise and look after ourselves. If we find this time of year difficult, let us bask in the knowledge that all this is transient, including these negative feelings, like spring blossoms. Both will come and go like the ebb and flow of the tide. When we have dressed and had our morning coffee and stepped out into the world, hopefully we too, at some point soon, will feel great joy at our ability to participate in this complex web of life. 

For all of us, together, it is a time to check up on ourselves, our loved ones, and our communities. To re-connect. To acknowledge our feelings. To set intentions for the year ahead. To welcome in the new dawn. 

How to celebrate?

There are many different ways to celebrate the Spring Equinox. We doubt Ronald Hutton would raise a finger at Neo-Pagan communities who enjoy worshipping Ostara, the Germanic goddess who perhaps never was, but today exists for many who have embellished her and worship her around this time. 

There’s Hilaria. There’s Iranian Nowruz, which translates literally as ‘New Day’. In India, there is Holi, the festival known for its many colours, Drawing from Hindu mythology, Holi values the return of light, and the triumph of good over evil. In Japan, Shunbun no Hi is a time for celebrating the end of a long winter. Many visit the graves of loved ones and leave offerings of food or drink around this time. In Mexico, pre-Christian traditions are revisited at Equinoxes; in March, thousands gather at Mayan archeological site Chichen Itza to witness a slithering snake-like shadow which appears briefly on the Kulkulkan pyramid. 

The folklore and traditions change, but the astronomical phenomena of equinox continues to recur year after year. Rebirth is in full swing. Celebrate as you wish to. You could wander the fields in search of spring herbs. Spend time outside. Plant seeds. Eat chocolate eggs, as is commonly practised in the West. Write a journal. Practise gratitude. You may well spend some time with loved ones, or in solitude reflecting on the years that have passed, and set intentions for the coming year.